Jigsaw (2017) [Blu-ray]
Crime | Horror | Mystery | Thriller
After a series of murders bearing all the markings of the Jigsaw killer, law enment find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game thats only just begun. Is John Kramer back from the dead to remind the world
to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own?
Storyline: Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for ten
years.
Reviewer's Note: Reviewed by Jeffrey Kauffman, January 22, 2018 Note: A couple of passing allusions in the plot summary might be considered spoiler material, though any fan of the Saw franchise will probably already
know a couple of putative "surprises" Jigsaw has up its bloody sleeve. That said, those wanting to avoid such mentions are encouraged to skip down to the technical portions of the review, below.
The relatively recent phenomenon of "escape rooms" as entertainment venues where customers buy tickets and then have a set amount of time to figure out of how to get out of a themed locked space was frankly unknown to me until late last year, when one
such enterprise in Portland hired me to produce some music for an event of theirs. While I'm sure many younger, hipper types are completely up to speed on escape rooms, I wonder if at least some of those cognoscenti would have drawn the same
through line that I did to another perhaps inexplicable cultural phenomenon — the Saw franchise. Part of Saw's whole appeal, at least in its earlier formulations, was the aspect of seeing a coterie of characters in a confined space
desperately trying to get out of that space by solving various challenges presented to them. Jigsaw is a kinda sorta reboot of the Saw franchise after a seven year hiatus that had seen annual releases culminating in Saw: The Final Chapter
3D, which (as I more or less hinted in my Saw: The Final Chapter 3D Blu- ray review), we all pretty much knew was not going to be "the final chapter". But one of the most interesting things about Jigsaw, and one which was an intentional
strategy on the part of the creative crew, is that it is not cloistered in the same way that many of the previous Saw films have been, and in fact it gets "out and about" a good deal of the time. Of course there are still a coterie of folks
chained, tethered, roped and/or otherwise trapped in a series of "games" orchestrated by the titular Jigsaw (Tobin Bell), who this reboot kind of cheekily (and perhaps even trickily) suggests may not have had his own "final chapter" just yet.
While the phenomenon of escape rooms reminded me of Saw, Jigsaw actually reminded me of a perhaps surprising cinematic precursor, the iconic Agatha Christie mystery And Then There Were None. Both Jigsaw and Christie's legendary
piece feature "secret vigilantes" out to enforce justice, choosing supposed sinners who need to be punished for their sins. Even the "reveal" of And Then There Were None is aped in a way in Jigsaw, with a character thought to be dead
miraculously resurrected to become the hidden instigator of all the carnage that has gone before.
There's a bit of subterfuge at hand in Jigsaw which isn't revealed until the closing vignette of the film, where an almost laughably verbose "Moishe the Explainer" moment arrives courtesy of that aforementioned resurrected character (whose identity
won't be spoiled here). Suffice it to say that while the "game" aspects of Jigsaw are resolutely in the template already established by the franchise, things are not exactly what they appear to be (or perhaps more appropriately when they
appear to be), leading to a supposed "twist" that is obviously meant to establish the foundation for a new, improved (?) set of Saw films.
What's at least a bit unusual about Jigsaw, though, is how it ventures outside of the isolated game vignettes to detail an actual, honest to goodness world beyond the machinations of John Kramer. That includes a kind of ping ponging aspect where
the game interludes are interrupted by the continuing investigations of police mortician (?) Logan Nelson (Matt Passmore) and Detective Halloran (Callum Keith Rennie), who are tasked with investigating what appears to be a Kramer/Jigsaw copycat (since the
police are initially under the assumption that Jigsaw has in fact expired). When one of the victims ends up having Kramer's blood under their fingernails, the mystery seems to be approaching supernatural levels.
In terms of the victims, they're the typical Saw array of duplicitous types, and despite the attempts by co-writers Josh Stolberg and Peter Goldfinger to inject some "character" into these characters, that's what they remain — types. The exhaustive
making of documentary included on this Blu-ray has some of the creative staff insisting that they sent out to make a film that wasn't just a "blood and guts fest", but there are some spectacularly gory images in Jigsaw which will probably delight a
certain niche of the franchise's fan base. Interestingly, some of the most graphic material actually tends to revolve around Nelson's poking and prodding of various corpses delivered to his lab, as he searches for clues. There's one especially disturbing
image of a head that has had its front half sawed off that directors the Spierig Brothers seem to revel in keeping in the frame for an extended period of time.
Despite not really being a fan of the Saw franchise, I was actually kind of pleasantly surprised by Jigsaw up until the final few minutes, when a spectacularly ill advised scene with a "Moishe the Explainer" type throws what little logic the
film has had up to then to the wind, in a blatant attempt to set this franchise up for another eight films. This is an interesting effort that may actually split longtime Saw fans (no pun intended), since I'm not sure everyone will cotton to
this film's attempts to have its cake and eat it, too, with regard to linking itself to the former films while also trying to forge a new, separate identity. Technical merits are first rate for those considering a purchase, and I'd have to say even those
without an overt interest in Saw may find the multi-part documentary on this release worth checking out.
[CSW] -1.8- The traps/games were original but after you have seen more than 20 of them even original get old. The plotline had holes, epically concerning the final two contestants who were not given enough information, even in hindsight, to be able to
know where to look for their keys. Other similar plot holes led me to suspect the bullet switch but that didn't make the outcome any more interesting. A major part of the plot was the flashbacks to a previously unknown actual Jigsaw game. Sorry but that
seemed a stretch-too-far for me. Wait for it to come on late night TV, with small parts redacted, on a night when you find it difficult to sleep as the ending should cure that.
P.S. "Moishe the Explainer" a term used in writing where ending puts the reader to sleep with explanation, kills the writing and with it the story. He's the endearing old uncle at family gatherings who manages to mangle every good story. He lacks
imagination, doesn't see what he writes.
[V4.5-A5.0] MPEG-4 AVC - D-Box somewhat enhanced this movie.
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